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Cover: Talivaldis Kenins – Symphonies Nos. 2, 3 & 7

Talivaldis Kenins

Symphonies Nos. 2, 3 & 7

Tommaso Pratola, flute
Egils Upatnieks, oboe
Mārtiņš Circenis, clarinet
Zanda Švede, mezzo-soprano
Latvian National Symphony Orchestra
Andris Poga

ODE 1401-2 · CD · September 2022

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Track listing

10 tracks · 67:35

Listen to samples on selected tracks.

Talivaldis Kenins

  1. Symphony No. 2, "Sinfonia concertante" (1967)for flute, oboe, clarinet and orchestra 19:42
  2. 1 I. Lento 3:21
  3. 2 II. Molto moderato: Tema e variazioni 12:08
  4. 3 III. Molto animato e marcato 3:58
  5. Symphony No. 3 (1970) 19:23
  6. 4 I. Allegro moderato 4:56
  7. 5 II. Lento inquieto 8:30
  8. 6 III. Molto animato e brioso 5:52
  9. Symphony No. 7 (Symphony in the form of a passacaglia) (1980) 28:55
  10. 7 Intrada. Moderato - 3:21
  11. 8 Passacaglia - 8:02
  12. 9 Allegro molto - 3:45
  13. 10 Aria 13:42

About this recording

Final volume in the first-ever complete recorded cycle of symphonies by Tālivaldis Ķeniņš (1919–2008), one of the most prominent post-WW2 composers in Latvia and Canada. This album includes three of the composer’s eight numbered symphonies performed by the Latvian National Symphony Orchestra under Andris Poga.

Although born in Latvia, Ķeniņš lived most of his life as an exile. He was educated in Paris, where he studied under Tony Aubin and Olivier Messiaen, and won several awards. Ķeniņš emigrated to Canada in 1951 and became a respected pedagogue and a very influential figure in Canada’s music life. Alongside his eight symphonies, the composer also wrote 12 concertos. However, he also included many concertante elements in his symphonies and the Symphony No. 2, “Sinfonia concertante” (1967), scored for three wind instruments and symphony orchestra, is very close to a triple concerto. The symphony’s extensive second movement is based on a lullaby of the Mi’kmaq First Nations people. Symphony No. 3 (1970) was completed few years after its predecessor and is a step forward in the composer’s journey as a symphonist. Here we encounter the idea of a lyrical hero, which, in the ears of the listener, could be personified. Although many consider Kenins’ 8th Symphony to be his symphonic climax, the 7th Symphony (1980) is by no means a lesser work: it could be even considered as one of the composer’s most personal and intimate creations. The symphony ends with an aria based on a text by the composer’s father and the atmosphere of the work seems to stem from the composer’s emotional trauma on the occupation of his native Latvia by the Soviet troops.

The Latvian National Symphony Orchestra is one of the cornerstones of Latvian national culture, its history spans almost a century. The LNSO is a six-time winner of the Latvian Grand Music Award. Since 2013, the music director of the LNSO is maestro Andris Poga, a conductor sought after by top orchestras from around the world. The orchestra’s most notable former music directors include Jānis Mediņš, Leonīds Vīgners, Edgars Tons, Vassily Sinaisky, Olari Elts, and Karel Mark Chichon.

Andris Poga is the Chief Conductor of the Stavanger Symphony Orchestra since 2021/22 season. He was the Music Director of the Latvian National Symphony Orchestra (LNSO) from 2013 till 2021 and will continue to collaborate with the LNSO as its Artistic Advisor. He is frequent guest conductor with the leading orchestras of Germany, France, Italy, Japan and Scandinavia. After the first successful collaborations he has been invited back to the Tonhalle-Orchester Zürich, DSO Berlin, NDR Elbphilharmonie Orchester Hamburg, Gewandhausorchester Leipzig, SWR Symphony Stuttgart, WDR Sinfonieorchester, NHK Symphony Orchestra Tokyo and many others. He has also conducted the Wiener Symphoniker, Saint Petersburg Philharmonic, Accademia Nazionale di Santa Cecilia, Orchestre National de France, Royal Philharmonic Orchestra, Hong Kong Philharmonic, Sydney Symphony.

Features

Sleeve notes in English

The artists

Tommaso Pratola

Tommaso Pratola is the principal flute of the Latvian National Symphony Orchestra since December 2019. Formerly, Tommaso was a member of the EU Youth Orchestra and Italian Youth Orchestra and the first flutist of the Teatro Petruzzelli Orchestra in Bari. In 2017, he received a scholarship from the Haus Marteau masterclass with Andrea Lieberknecht and an honourable mention at the Società Umanitaria International Competition.

Full biography

Egils Upatnieks

Egils Upatnieks is the principal oboe of the LNSO since 2009. Often voted best principal musician of the year in the LNSO’s annual poll. Prizewinner of many international competitions. Since 2009, Egils is a member of Denmark-based wind quintet Carion, with frequent performances in Denmark, Sweden, Germany, Switzerland, Austria, and other countries. Member of the Latvian National Opera Orchestra since 2010. Egils was the principal oboe of chamber orchestra Sinfonietta Rīga since it was founded in 2006 until 2011. Guest performer with chamber orchestra Kremerata Baltica, the Iceland SO, and Nordic SO. Lecturer at the Jāzeps Vītols Latvian Academy of Music (JVLMA) since 2010.

Full biography

Zanda Švede

Zanda Švēde thrilled audiences in her first season as a soloist in the Oper Frankfurt (2018/2019) with the title roles in Bizet’s Carmen and Handel’s Xerxes. Last season, she performed in Handel’s opera Radamisto and also appeared as Sonjetka in Shostakovitch’s Lady Macbeth von Mtsensk. This season, audiences will hear Zanda Švede in the title roles of a new production of Orlando and Carmen, as well as Herodias’ Page in Barrie Kosky’s new Salome.

Full biography

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